When I wrote it down recently, I thought this non-fiction piece of mine read more like a story. It is one no doubt, considering how dramatic real life could get for some people. And I find myself going back to such themes again and again, whether in essay or poetry -- the quest for defining borders, the urge to un-map oneself and the discovery that confines are within our own minds.
THE WATER GIVER is published in the current issue of Bosphorus Art Project Quarterly. The theme for this edition is "New York City". Exciting, innit!
Here's an excerpt:
"He had seen us through the crowd. Lunch time. A 15-course buffet and the smell of mustard oil I cannot miss. Jackson Heights is an ant hill of colors – white, brown, black. White faces, black arms, brown legs. The United Colors of Humanity flag flapping in the glee of an autumn New York breeze of 2007.He has worked under the roof of this un-glitzy Bangladeshi restaurant for decades now. He has hummed Amar Shonar Bangla in the beginning over cauldrons of boiling oil or milk, dreamed of dazzling green paddy, and then slowly forgotten everything. His education was meager, not enough to earn him a stable job back home in a newborn nation. But the money to the middleman “bhai” was just what he could pay for a better life as a New Yorkistani. After all, there was no family, no ties. Why even stick around to be prodded by the police and hear comments from the neighborhood maulavi for not having grown his beard long enough?"
Hope you have fun reading it. For the direct link, go here.
Image: BAP Q cover "Worship Me" by Farras Abdelnour